Almost Spring, but I liked yesterday better!

It's so much easier to scan or take photos of watercolors. (I'm whining again, huh?) This is an 8X10 acrylic of a photo my nephew took of the Paine Massif in Patagonia. Looks a bit fuzzy, doesn't it? He does his tourism vertically, hence the earlier painting of Kilimanjaro. This was a different challenge from painting California, there certainly weren't any bushes or trees.

The plein air season is on it's way. It's such a wonderful way to paint, competing with the constantly changing light, the wind, dust, but it's a very vital way to paint and I need practice. Watercolors are an excellent way to go, but they dry out so fast. Acrylics dry out very fast too, and can't be re-wet, but a wet palette can really help ameliorate that. Perhaps oils may be the ticket. Evidence of my inexperience.

Once again breakfast became a still life, this time in acrylic.

American Persimmon and lace, 11X14 acrylic

Looks like  there is some "flash" on this from the camera. These acrylics can be a bit shiny. This is one of the Paint and Draw Together challenges of which I am so fond. This is one is 11X14 so it wouldn't fit on the scanner, but I don't think I could have avoided the flash that way either. Anyway, I am trying to work on a little bigger format because I'd been concentrating on miniatures for so long it was certainly not helping me loosen up. Of course I WOULD pick LACE on which to loosen up. That could have been counter productive, hmm?

When to go vivid (and all that entails) and when to be subtle?

In a painting group one of the other artists had set up this grouping to work on an impressionist piece. I just loved the items, their textures, warm and subtle colors. I asked his permission to take a couple of pictures so I could try it, and it was given.

This is my 8X10 acrylic result. The other artist did some amazing things with brighter colors, more impressionist shapes, and in oils. It was fascinating to see how differently things can be seen.

Next it would be good to explore a somewhat wilder version, more like an art instructor would like. For some reason it's good for me to try realistic first, to get familiar with the shapes, colors and textures, "internalize" them maybe? Whatever, it gets my hands familiar with the shapes, my eyes familiar with the colors etc. Then it seems easier to loosen up and try an impressionist version. Or, then again, maybe I need to fuss over the realistic version until I'm satisfied, or fed up, then my imagination starts really kicking in to liven things up! This second version will be with oils, easier to keep playing with it more.

Here is another project of a completely different kind. This is the unfinished version. It's further along now, the holes have been filled in. Have I said all this before?
Anyway, this is a result of working with the Great Dickens Christmas Fair in San Francisco last December. I went in 1830's dress (women of a certain age are free to wear styles from their youth). During that period the huge mutton leg sleeve was very popular (see the original Dr Doolittle opening scenes with the Dr's sister) and a special cape collar called a pelerine was also very popular. They were often of very fine stuff like lawn or batiste with embroidery, or fine lace. I had made one of some machine made lace that looks really good, but I'd always wanted to try to make a lace one from scratch, since they have a very distinctive shape. I had a bit of a search to come up with a motif that I could adapt to the shape, but the biggest thing turned out to be finding the thread! Who knew how much it would take! I'm using a fine thread (#30) in white, but there are a lot a whites out there. It took the better part of a month to find more of the exact same white. And YES, you can tell if it's not the same white. At last I was able to obtain enough to finish. On the pattern, I'm winging it so right now I'm in the hard part of the decision process, the final shaping and finishing details.
Gotta go, I'm off to my painting group now!

It's been decades but I'm trying oils again!

 This is a re-work of a canvas that was probably 30 years old. The still life had been sketched, but never finished. It was time to try it again. You know, they are right, oils are the best. Since I was raised in a "waste not, want not" household I am using up all painting supplies I can get open. This means I am using up the old turp. Stinky, so I set up in a really well ventilated area. I am having such a good time with this!

 This is an acrylic. It's from an artist's challenge blog. It was irresistible! To get myself to use a wider range of colors I had prepared this background and when I saw the pomegranate it had to be on this ground

 This is a watercolor, just to keep things even. It's really just a study, but it was an excellent exercise in trying to get smooth lines. I need more practice.
The arch at the bottom is something else I painted on the bottom of the same large shape.

Here is a "do-over" the watercolor version turned out to have a slit in the paper I didn't notice until I was nearly finished. So I did it again in acrylics. I should have scanned it, there is quite a bit of "flash" when you try to photograph acrylics.

January and time for warm colors!

How did this one happen? Well, I've been playing with my acrylics again. Backgrounds should have variety and it's often good for them to be dramatic. One of the painters who blogs, and paints daily said something I found I was about to realize myself, I'm just slower. Since you have to paint the background ahead so it can be dry and not just make mud when you start to paint, why not paint up a bunch of interesting, dramatic and colorful backgrounds. Then when you've got a moment to paint, grab one and paint!

It's easy to get into a rut, at least for me, I'd probably use the same two colors in every background if I allowed myself to do so. This pre-painted background method can change that. So starting with these 8X10 canvas boards and picking any color, always different, there are high hopes I'll spread my tiny wings and fly!!

OK, I do tend to favor warm colors, but I actually painted a deep gray background last night and today in class I made great progress by painting a partially peeled pomegranate on it! Wow, I'm (easily) impressed! Hey, this is a big step for me! Another big step was using a larger canvas (16X20), and I painted a BIG pomegranate on it, too! I'll try not to wrench my shoulder patting myself on the back. That one will have to be photographed because it won't fit on the scanner. The subject came from Paint and Draw Together, a "challenge" I love to participate in as often as possible.

Last month was spent doing intricate needlework for sale at the Great Dickens Christmas Fair in San Francisco. Boy did I need the money, and I actually made some! It made it possible to give Christmas presents and pay bills. I did a little sketching, but almost no painting. So, with all good intentions, I have started a class and found a great Drop In painting group which gets me out of the home studio at least twice a week.

On the Voice Over front, I just recorded a couple of parts in "Antony and Cleopatra" for Librivox as well as a few chapters of "Wylder's Hand," by J. Sheridan La Fanu. They were both very enjoyable, but I read the book's chapters "cold" and if I'd taken the time for scantion, they would have flowed better. It's a really funny book, very Victorian, and supposed to be a Psychological Thriller. It does have a certain leisurely suspense, but it is really hysterical in the subtext. For instance, there is the old uncle who thinks he's a ghost. I just came upon him in the last chapter I read. That took a lot of editing. The way it's written it was sometimes VERY difficult to tell who was talking. You get to the end of a long speech and find it was the hero, not the maid. You have to go back and re-voice the whole thing! That's what I could have taken care of in scantion, just hi-lite the the different characters in different colors and then I know who's voice I should be using! I think I even exasperated my laptop by the end of that editing session, it allowed me to convert it to mp3 for uploading, but it wouldn't allow me to save the original file. This means that if there is a problem, I have to go back a re-record the whole chapter. Serves me right it I didn't catch something in the editing process!

Another picture I just painted didn't get posted here. In November (I think) one of the Challenges was a nice stripey apple with a variety of leaves. I did it in watercolor (that one is posted) and uploaded it to the website. Unfortunately I didn't notice that there was a cut in the paper until I was finished! It isn't where it can be worked around either. The photo was wonderful, so I've re-painted it in acrylics. It turned out pretty good, but there was something not right about it. It was as though something was missing. Fortunately, the Tuesday class I'm taking has a critique portion and I got some great input. They helped me see why it bothered me. They had some great suggestions too, and I took some of them. Now I'm pretty darned happy about the picture. I'm thinking it can go on the website for sale!! Yippee!

Did I tell you what I got for Christmas? Well, I got the Traveling Monet French easel! Very Pretty and it rolls. It's better quality than my old one, but I should probably keep the old one for Period events where the wheels and handle would be too modern. I seem to be accumulating a lot of easels. I somehow ended up with 2 Feather easels, boy those are lightweight. We need an artists swap meet! Let's go for it.

More later!

'Tis the season!

(This picture is unfinished, but it's the only Christmas one I had "in-house")

Well, it's been a while since I wrote, and a few things have happened.

One of the whines is my mic went on the fritz again. (sigh) It's intermittent, and probably a short. I finally had to cough up for a new one. It's a slightly lower priced one, but brand new, and the same brand. It works very well, almost the same quality as the old one. So I am finally up and running again. I hope to finish recording a book, get it edited and then offer it.

I haven't been painting much, my creative impetus has been focused on mid-Victorian accessories, especially crocheted lace lady's caps. There were a few collars and cuffs too, things to sell at the Dickens Christmas Fair. It was a lot of hours, and they sold pretty well, especially considering the economy. There was a lot of really good feedback too, especially from people that didn't actually purchase anything but wanted to. I had really pared prices down this year and I think it helped. Some of what didn't sell will be offered to Sacramento City Dry Goods, and some will go on my etsy store. Some of the things on the needwork page of this blog are for sale at Sac. City Dry Goods. I'll try to take some pictures and get the new ones listed, but maybe not before Christmas.

It's time to stop the bustle and consider Christmas and what it means. It really makes up for all the things that seem to be wrong. They matter so much less when realizing what has come to us, the light shinning through the dark to light the whole world. I was going to put up the tree this weekend but a serious leak and an incredibly heavy rain that lasted a day and a half had me bailing instead. When the sky cleared a bit I ran to the Dickens Fair for the end of the fair to close. If the tree doesn't get up this year, at least I got the wreath up.

So now the roof guy is trying to arrange to get here and stop the flow. After that I can asses the damage done and how to correct it. The carpet was already on the way out, it's original to the house.

This year I went to the Dickens twice, once in costume. I have an 1830's period black taffeta that I haven't been able to fasten for a while, so something has been working. That was teamed with a cap I don't get to wear often. It's white cotton (OK polyester and cotton, I don't iron if I don't have to) that I embroidered (white on white) with period motifs, trimmed in ruffles and lace and is HOT. No, I mean you broil in this thing. My big mistake was forgetting I hadn't worn anything with a heel in way too long. Between the Cow Palace hovering in the 80's and the hard floors I felt pretty battered the next day. When I went back yesterday I went in a t-shirt, cotton pants and spongey soled shoes. It was still blazing hot, but I was a lot more comfortable.

It was a wonderful Fair, they expanded the floor so you weren't jostling continually, and there were more booths. It was wonderful having more floorspace. I think the participants costumes are improving continually. I still don't quite understand what some of the visitors have in mind when the get dressed. Sometimes you can see what they THINK they look like, but, sorry, it didn't work. I love when they try to be as Victorian as possible, but there are many for whom that is not a goal at all. 'Nuff said.

Have a lovely and Merry Christmas, and keep painting!

Candy Season is beginning!

Is this candy? Or Soap? It's a 4X6 Watercolor of a guest soap my Sister-in-law put in my Christmas stocking last Christmas. She does great Christmas stockings, it's always a surprise. I hadn't done anything miniature for a while and the delicate colors and cellophane appealed to me. How about you?

Well, it's time for the next challenge over on Paint and Draw Together. It's lemons this time. I spent the summer painting the lemons that fell off the tree, now we shall see if I learned anything.

Autumn is here!

As the trees start to turn, and the apples start to ripen, it's time to paint those things! I've thrown in an extra. It's a palette I rarely use, I remember an art teacher at the Academy of Art University who was working in pastel that time, he said to look at your pastels and see which ones are longest. Then make yourself use them because you are probably avoiding that part of the spectrum. Excellent advice. What a school!

Out in the garden again

Oleanders are all over here in Northern California they are all along some of the freeways. This one, however is in my garden. It was supposed to be a dwarf, but like the lemon tree in the back garden, it got out of hand. After many truly awful attempts at painting them, this one came out more presentable. The answer seemed to be in simplifying, not only the background, but the flowers as well. I left 3 or 4 blossoms, in various stages of bloom, out. In some cases things come out too light, but lately I had been trying to pour in too much color. Some of the watercolor books, after reviewing, gave me some pointers.

Quelle Surprise! Well, anyway, I found an old sketchbook!

The Quelle Surprise was because when I started typing it was converting to Hindi. I finally found how to get it to stop. I thought I was enabling people to translate my blog into their language, but it was translating my typing only into languages in India.
Now to the Anyway part. I found an old sketch book from last fall and winter. It was full, but I thought I'd see what could scan.

This first one was a commission from late last winter. As I've said, I record books at recordings for the Blind and Dyslexic and they were having a Record-a-thon to get more readers and directors. They asked if I could do a picture of a child reading a book with earphones on. They record for all levels, but it's really good if they can start with the very young so the kids are never left behind in their education. This was a sort of final preliminary sketch. I did a 16X24 watercolor for the office and I am delighted to say it's still hanging there.

Next: are two friends from southern California modeling period caps I made. This is why I don't do portraits. I modify things. I changed them so radically they would not recognize themselves. The idea was to create characters that would be wearing this sort of cap. The one below was supposed to be my idea of Jane Austen, the other I made older, trying for a lot of character. I probably should have used older models, but how do you ask that? Friends are willing and put up with a lot. They understand, or just sigh and are patient. God love them!

I am currently working on Challenge 12 from Rookie Painter and the apple picture from Paint and Draw Together. The apple is fighting back.

OK, if I ever get control of that apple and finish the leaf circle, I'll upload those, and wait for suggestions!
Love to all!