Ink wash experiments

Ink wash, 6X8

For Christmas I received a bottle of Private Reserve Ink in Midnight Blues. It's for fountain pens and is great for washes. I just found that out. It's very dark for writing, but add a little water and it lightens into a rich blue. Using a brush pen filled with water I started experimenting yesterday. So many plein air sketchers talk about using ink washes, I had to figure out how to do it.

I recently found a set of Winsor & Newton inks on the bargain shelf at Michaels (someone had stolen the black) at a greatly reduced price. It's a set of eight, well seven, but I already have black. Now I look forward to trying this with them. I still want to continue drawing in them, now I want to try adding a little water with the brush pen to see what happens.

This was a quick experiment with Mont Blonc's Toffee ink. It writes and draws as a rich dark brown, but with the brush pen it attenuates to a redder color. It was wonderful to see what happens as you play with it and smoosh it around to see what it does.

I went back to one of my current sketch books in which I had drawings with this same ink and just touched in a little water. Wow. Ok some did NOT look better for it, but it was "wicked brilliant" what it did to some. It seems to work best to soften shadows, but leave the outlines as much as possible.
Those pictures are not posted because it was light weight sketch paper and is now ruffly from the water. I wish I knew of a hard bound sketch book with heavier paper that could stand a bit of water. Not quite 140lb paper, but something heavier than in the "Reflections" books I have. They are good for sketching and drawing, as long as you don't get too much ink on the page or it will soak through. Yes, it's that light. Pentel and Tombow seem to do alright, and the Rapidograph. But I have to be careful with fountain pens, anything that can let a lot of ink flow.

Can anyone suggest one? I prefer hard bound, but that may have to change.

On the Seventh Day of Christmas,

St. Margaret's Chapel, Edinburgh Castle

It's New Year's Eve. Break out the Martinellis!
However, on to what this blog is about! To the left is what began as a freehand sketch of the stained glass window in St. Margaret's chapel in Edinburgh Castle, Scotland. It's the most interesting building in the place, to me. In the midst of this fortress was this tiny lasting, loving place. It struck my heart.  As it should, it stands a little apart, looks unassuming and unremarkable, but it's one of those places that sticks in the memory, because it sticks in the heart.
Built by David I around 1130 it's the oldest building in Edinburgh. He was a king and a warrior (they were all unbelievably brutal then) but also a pious man. He built to honour his mother. She became known as St. Margaret. 
I remember standing there in the cold and burgeoning sleet of a late February day and being swept away when told this. It's near the fence that marks the edge of the precipice overlooking the rest of the city. Well, the city is there now, not so much then.
It touched me that this man built this gift for her. She had passed on before he was nine. Suddenly the little stone box became more of a precious treasure chest representing Love and generosity of spirit.
Even an amateur medievalist will know a bit of how brutal these times were. Autocracy is too gentle a word, and there was little or no conscience or sense of outrage at the barbarities committed against the common man. As in the line from Queen Eleanor in "The Lion in Winter," "Nonsense, this is 1183, and we are barbarians."

Here's what I've been up to... (a rather colorless post)

Still enjoying pen and ink work. Here is another ball to keep in the air, you really have to keep practicing to get better and maintain what you've gained. At this rate I may just lose weight for lack of time to eat, not that I need to or anything. Hmm how long does it take to get rid of X pounds. (Ahm not tell'in) OK, here they are:

Yes, sketching at the table again. This is some crusty shepherd's bread. Sorry, it's all gone now, but it was preserved for posterity on this paper. Shadows were confusing because it was under a 6-lite chandelier.
And a few other things sitting around:

This is a copper vessel of some kind, it followed me home from a thrift store. It is reprousse with a brass plinth, bail, and handle. Did I capture that softening quality of all the dust on it?


This was an idea from Virtual Paint Out, which I haven't done in a long time. This was in Sardenia on highway SS125. It's a beautiful drive and the road is beautifully maintained. I was also trying some of my new Pitt artist pens, this one was Medium, and quite wide. It does make you simplify:

And last, but not least, the tools of the trade. One of these is a semi functioning quill. Well, it was until I used it. It takes a really sharp pen knife and a practiced hand to sharpen these things. The smallest feather is one I found somewhere, and the other large one is courtesy of Ike, my friend Peg's gander.

The ink well is from Old Sturbridge Village, the potter there makes them and a lot of other useful period items. I found the cork in with a bunch of corks I got I don't know where. Honest, nobody stole it out of my lunch! It keeps the ink from drying out or spilling to readily.

Exploring the world of pen and ink...

Preliminary sketch

In searching for something else, I came upon a fountain pen with a fine point that was specifically for sketching. In a weak (one of many) moment I ordered it. I had not really played with pen and ink, since it is a bit unforgiving. However I found the deep black ink on white paper irresistible. In a hardbound sketch journal I sometimes carry I sketched this pavilion in our local Japanese Gardens. Thank heaven I also took a photo. A friend saw it in my book and asked for a larger version, so a journey began.
The results follow. Each time I do it some things get better, others get "flubbed." Here is the second attempt:

Second attempt

The pavilion is set on a pool with wonderful rocks and evergreens around it. Finally using a small straight edge to keep it from getting too sloppy I found my two main challenges were the inset part of the railings and how much vegetation to include. How much is enough and how much is too much? and it's so angular, and I'm not.
Then came this one:

Next attempt (3?)

 Is this too much background? Do you lose the pavilion in it? This time I find the reflections annoying. Maybe that can be fixed, or at least modified to be less odd?
And now there is this one:

Most recent attempt

OK, less background, reflections still not right. On this one I had just picked up some Faber-Castel Pitt pens with different points. The Medium and Brush ones were good for getting a deep black under the roof edges and shadows at the top of the pillars. The rail still comes out messy. Maybe I shouldn't have done this at noon?

HELP!

Where do I go from here? This is when I want a class. I've spent hours and hours drawing, modeling in classes and going home and doing the assignment the students were given. Still not enough. I do like the pen and ink, though, no more dragging my hand through it and smearing grey all over my hands and the picture. With a dip pen I am really messy, I get it all over me, but with the fountain pen and these Pitt pens it's a lot cleaner, well, I'M a lot cleaner. But they do not give you much of a second chance. Since that's inherent in the medium, it seems to matter less, it's a "do the best you can" medium. I hope. It takes a better draftsman I guess.

Any comments?

Quelle Surprise! Well, anyway, I found an old sketchbook!

The Quelle Surprise was because when I started typing it was converting to Hindi. I finally found how to get it to stop. I thought I was enabling people to translate my blog into their language, but it was translating my typing only into languages in India.
Now to the Anyway part. I found an old sketch book from last fall and winter. It was full, but I thought I'd see what could scan.

This first one was a commission from late last winter. As I've said, I record books at recordings for the Blind and Dyslexic and they were having a Record-a-thon to get more readers and directors. They asked if I could do a picture of a child reading a book with earphones on. They record for all levels, but it's really good if they can start with the very young so the kids are never left behind in their education. This was a sort of final preliminary sketch. I did a 16X24 watercolor for the office and I am delighted to say it's still hanging there.

Next: are two friends from southern California modeling period caps I made. This is why I don't do portraits. I modify things. I changed them so radically they would not recognize themselves. The idea was to create characters that would be wearing this sort of cap. The one below was supposed to be my idea of Jane Austen, the other I made older, trying for a lot of character. I probably should have used older models, but how do you ask that? Friends are willing and put up with a lot. They understand, or just sigh and are patient. God love them!

I am currently working on Challenge 12 from Rookie Painter and the apple picture from Paint and Draw Together. The apple is fighting back.

OK, if I ever get control of that apple and finish the leaf circle, I'll upload those, and wait for suggestions!
Love to all!