Christmas Eve, Fa-la-la-la-la

It's Christmas!

"And God sent his only begotten Son," 4X6 watercolor

Since tomorrow morning is Christmas Morning and there will be Christmassy activities, I thought I'd get this off to you now!

Bless all of you on this special day when we honor the birth of Jesus, the Christ. He may or may not have actually been born on this day, but I don't think that's the point. We picked this day to remember and reaffirm the Christ in our hearts. That's Love multiplied in our lives, our reason for being here, to express that Love and live it.

Have a very Merry Christmas as part of the family of Man, and enjoy the day! We all be thinking of you, here and everywhere! There is no divide that can separate us, Love is instant in our hearts.

Art note: I think next time I'll set up La Nacimiento and paint from it directly! No guessing about shadows and shapes. This one is out of my imagination, or "out of my head" as one teacher used to call it. That was too ambivalent a phrase.
Hey, it's not raining today!
Love to all, every one!

Deck the Halls with...

Home and Hearth, watercolor, ink, markers, 8X8

Since my "hearth" isn't much, this is a picture I did of a good friend's last Christmas. It was a Christmas gift to them, but I have this electronic copy. There is a wonderful sense of "Home" in this house.

As for the artsy stuff, I was experimenting the dual pens and markers, then I added some watercolors for a wider palette. The tree on the left is a little half tree that actually hangs on the wall. I used my Artistic License to set it on the little table. Their real tree was on the other side of the room and out of my line of sight while drawing and painting. Now I look at it, I think I should have used a cooler color for the shadows.

Closer and closer to that precious day,

Window, St Margaret's chapel; watercolor, 2.5X6"

This is a "souvenir" I painted of a trip through Scotland. I wish my little watercolor could do it justice. I'd seen a lot of impressive stone piles, but this tiny stone room, all by itself off to the side at Edinburgh Castle, said it all much better. The subject is not Christmas, specifically, but the feeling is there.

It's almost here, what should I wear?

Actually I have been painting daily, but mostly I've been knitting. The daily paintings I've managed, little watercolors, have not been in the Christmas theme, so here is one from last year, because it is Christmas time!

Candy Cane-watercolor 5X7

Alas, this one doesn't look quite like this anymore. It's in a sketch book I carry with me and it didn't travel all that well. Thank goodness for scanners that can stop time in it's tracks! Before rains and seepage.

For Christmas presents this year I decided to try my hand at knitting lace. Oh my. To make it fair to the lady recipients I decided to use the same type of yarn for the same lacy shawl/scarf, but in different colors, except the one I had already started in a different pattern. It's going to Alaska and will be warmer, so it's OK.

This all involved a lot of do-overs, believe me. An odd result is that now, suddenly I have long nails. All I can figure is that my hands haven't been in as much water or chemicals and I've had to keep the nails smooth to avoid snagging the thin yarn. I guess.

It does not, however, make it easy to type.

Now I've got to get to the post office as soon as the last one I'm blocking is dry and get them on their way! There is no hope for the one going to New Zealand to get there in time, but it's summer there anyway.

Merry Christmas to all!!

Christmas is coming!

Christmas Candy 3X5 watercolor

OK, you've seen this one before, but it's Christmas time and celebration is in the very air!
More, much more, later! Gotta get that tree up.

Autumn, the air is as crisp as a potatoe chip...

Inelegant prose, but apt. This is more fun and games with the Dual ended pens I've been using. It seemed appropriate to the season.

Harvest is in! 5X7 watercolor pens

Gourds 5X7 watercolor Dual pens

The second one here is of some ornamental gourds I found at the grocery store. There should be a little yellow hi-lighting the green gourd, but the set of pens doesn't have any form of yellow or gold. There were no other watercolors within reach, and being lazy, this is what I came up with.

And left over from the end of October:

Bubby, "Wake me for Halloween" 5X7 watercolor

This is my friend's kitty. He has modeled for me extensively. Usually in this position. The white stripe is really part of his markings, honest. I started this one with the Dual pens, but I finally got up and got the watercolors to get the black. Alas, he was very elderly and slipped away this Fall.  Some of the shine you see is not my painting ability, it's flash from the camera. Sorry Bubby!

And then there are the Cliffs of Mohr:

Again with the Dual pens. I'm not satisfied with this one, I need more work with these things. I'd love to find an individual pen with a good yellow or gold. The ink is water based and, if you're quick, you can blend the colors and wash them.

The Creepies are coming...

Squash - 5X7 watercolor

 The laptop is not talking to the scanner right now, so this was done through the digital camera. There is more, but I haven't taken pictures of them yet. Bummer.
Have a Happy Halloween!

Filet Crochet  rose wreath - 5X6 cotton

I know, off-topic. But I've been trying to keep my hands in with the needlearts part of my activities. This was my first filet crochet in a very long time, and I hadn't ever done much. It was sort of a warm-up to try something more adventurous.

That lead to this:

Filet crochet, cotton size #20, about 15X12

This one took a while. As you can see at the bottom point, I started it according to the directions, but it DOESN'T work. So I modified the vertical stitch and continued. The changed stitch worked! This is supposed to be part of a table cover, there are more identical sections. Will  do the others?  Hmmm.

The Gatsby Summer Aftenoon Picnic

A Summer Afternoon ala Gatsby

About 2 weeks ago was the gala "Gatsby Summer Afternoon" at Dunsmuir House in Oakland! It's an annual event beautifully put on by the Art Deco Society of California at one of the most beautiful Italianate mansions in the Bay Area. No, I didn't paint the house, I have painted the house in the past and, as it is a huge white house of a thousand geometric angles and elements. . . I am not sufficiently recovered from the experience to attempt it again. It's more drafting than drawing. But it is truely magnificent.

This is one of the paintings I did there, a watercolor done plein air in the morning part of the picnic. It was a gorgeous day, not too hot, not too cool, a delicate breeze and a clear sky. This annual event is always special, but this year seemed very special.

The attendance of many people with beautifully restored and maintained cars of the period (1920-1940) really makes it very special. Not to mention the clothes! This year I got an early entrance pass because the house is at the top of a hill, and you have to schlep your picnic gear up and in otherwise. I've done that many times, not going to do it again. Since I have a modern car it is not allowed off the paved path, nor left in view during the picnic. You drive in, drop your bundles, and drive on through to a hidden parking lot that must be nearly a mile further on. It's also up a hill, but it's no problem when you aren't carrying all your gear.

The ADSC has definite rules for the picnic, which ensure that it is a fabulous experience, and some of the picnics are amazing! You cannot leave anything later than the correct period in sight. There is a costume tent at the gate so you can get help with anything from a finishing touch to a dress for the occasion.

There is an excellent live orchestra playing the grand old tunes on which my parents grew up. There is a nice size wooden dance floor so you can dance to the music, then there are talented singers that specialize in Swing etc, and of course the famous Deco Belles. This is a group of 15 or 20 young lovelies in antique bathing costumes doing "Busby Berkeley" numbers on the dance floor for the show. And they are good, well rehearsed.

It's irresistible to watch the 1972 version of "The Great Gatsby" just before or after this event.
My vignette was "society matron who thinks she is a great painter." This allowed me to take my plein air set up, all the wood things, and the picnic stuff and set my scene. A nice thing is I didn't have to buy anything except a new ground cloth tarp. It was green and shiny and the one thing that wasn't period. Note to self: throw rugs.

It's funny, because I knew people who were there, but I ended up meeting many new people but I didn't see any of my old friends. We touched bases with each other later.

Sigh. It was a lovely day. Soon I hope to have more pictures to post.

And yet again...

 So:

Nicasio - 8X10 Oil

It looks like I'm going to just keep trying to get it right!  Trees are one of my current challenges. So, I got on the internet and studied at artists who know how do it, masters of the art. Most  recently I looked at Brian Blood because he is a northern California painter and does lots of eucalyptus trees beautifully. Well, you should have seen me with my mouth skewed to the side and even my tongue sticking out as I concentrated. I couldn't quite get it. Then I was looking at Ron Guthrie's latest paintings. He also is a California painter and does lots of wonderful landscapes, which include eucalyptus trees, as well as a variety of other subjects. In trying to see what I could learn about painting these trees from both artists, something clicked a little bit.The background has been simplified some, the sky has been worked a bit too.  This is definitely a learning experience, and I'm glad I've been able to spend the time on it. Now I'll leave the eucalyptus alone and try something "painterly" with the background.
   When it comes to composition, the clump of bushes in the very center of the painting don't seem like a good idea. They might just go away, or get converted to something more straggly and a shallower slope. I just got a tube of "Naples Yellow," and I sort of got carried away playing with it on the hills and grasses.
  This was a plein air I started last year at a horse ranch in the Lucas Valley at Nicasio.

Darn it, that sky sure looked better in person. Now when I look at the photo, most of what I did looks faded. Another lesson.

Good Grief, look at the date! What happened to July!!!

Nicasio - oil 8X10

Starting with the oldest: This is a plein air I'm still trying to get right. The enormous group of incredibly tall eucalyptus on the right are still defeating me. "Only God can make a tree." It's sooo true. I've been studying the work of very accomplished California artists, and some trees are starting to look better, but I still don't have it right. Hmm, and then there is that sky. Van Gogh-ish?

The Plaza, Sonoma - oil 6X8

Another plein air, a little "less-old" than the one above. I'm not sure anyone would recognize the building, I used my artistic license to try to simplify it. Bummer, the photo is less than focused. Skip it.

Still Life, Watercolor, 10X14

I did this a while ago, and just fixed a little bobble then photographed it. It's too big for the scanner. The mat is one I found in a thrift store, but the items are mine. The wiggley bit in the center is a reticulated helmet I picked up on a beach, I especially like the square bottle, the crock with the blue band was my grandmothers and dates back to the 'teens. I don't remember where or when I collected the smaller jar on the left, it's crockery too.

Garin Park - oil, 5X6

 This was originally an attempt (plein air) to use a limited palette suggested in a workshop. It has reinforced my general objection to Veridian. This version has the addition of Sap, Hookers and generous amounts of yellow ochre. OK, I confess, a touch of black. Some artists seem to think it is some how cheating to use black and not mix your own. However, you can find just as many who swear by it, so I pick my battles. I'll use it when I need it. Why do I feel the need to apologize? Whatever works. Unless I claimed my self the strict student of a particular school, I can feel free to use what I need. Er, Uh, right? Wow, have you seen the subtle variety available in Charvin paints!?

Hopi Adobe - Acrylic, 12X15

Sorry this is leaning away from the camera. This is from a black and white photo from the 1930's. They back onto a cliff, so they must have an incredible view. They might not have much in the way of windows at the back, but a lot of time is spent on the roofs.

Carquinez - oil,  6X8

It was a gorgeous day, but difficult to settle on what to include in the picture. The road way on the left that includes a "bridge" has gone through a major change. I think I'll stop (or give up on) this one.

Coyote Hills - oil, 9X18

A studio work based on photos taken during a plein air paint out. Not very accurate, the hills are smaller, the rocks are way smaller and the foreground field is way bigger. It may be best to strip it and start over, to bring it back into proportion. A challenge in composition. Ick, veridian is an awful green.

Coyote Hills 2012 - oil, 8X10

Hmm, too recent, I need some perspective provided by time. It was dawn at the park and the reflections and shadows kept changing.

Niles Canyon - 9X18

Not a plein air, I have driven by near here, and I was imagining it before the urban sprawl. The oak on the right has been really re-worked, and some things about the gate and cattle guard.

Tulip - oil, 8X10

This was to be a palette knife painting. I don't have the knack for it yet, had to repaint the blossom completely, and the leaves and stems a bit. I probably couldn't leave the background alone either, you know me. I normally would have done this in watercolor, but it seems important to try a variety of subjects in each medium.

Canyon, AZ - oil 8X10

The rocks on the left look too soft, like pillows. They need flatter tops. There is a village on the valley floor, but it looks amateurish. Time to study the work of some experts. The depth seems pretty good.

Beach, Cape Cod - watercolor 6X8

This is using the American Journey watercolor sticks. I can't find half of them, so that meant a really limited palette! It sure is easier when you can find your browns instead of mixing them.

Toy Boats, Paris - watercolor 4X6

Again, the A.J. watercolor sticks. Boy am I out of practice on water ripples! Ick.

Provence - watercolor 6X8

At last. Same session, only half of my colors in A.J. watercolor sticks, no mixing surface, and no pencil. I tried to lightly sketch shapes with the only thing I could find, a ball point pen. I should have just gotten up and scrounged a pencil! Oops, the balcony shadows are way too light. Obviously this is not finished. Especially now that I see an out of focus photo of it. Sorry to inflict it on you! thanks for your patience.

OK, now I'm hungry. I can't believe July is almost over!