Ink wash experiments

Ink wash, 6X8

For Christmas I received a bottle of Private Reserve Ink in Midnight Blues. It's for fountain pens and is great for washes. I just found that out. It's very dark for writing, but add a little water and it lightens into a rich blue. Using a brush pen filled with water I started experimenting yesterday. So many plein air sketchers talk about using ink washes, I had to figure out how to do it.

I recently found a set of Winsor & Newton inks on the bargain shelf at Michaels (someone had stolen the black) at a greatly reduced price. It's a set of eight, well seven, but I already have black. Now I look forward to trying this with them. I still want to continue drawing in them, now I want to try adding a little water with the brush pen to see what happens.

This was a quick experiment with Mont Blonc's Toffee ink. It writes and draws as a rich dark brown, but with the brush pen it attenuates to a redder color. It was wonderful to see what happens as you play with it and smoosh it around to see what it does.

I went back to one of my current sketch books in which I had drawings with this same ink and just touched in a little water. Wow. Ok some did NOT look better for it, but it was "wicked brilliant" what it did to some. It seems to work best to soften shadows, but leave the outlines as much as possible.
Those pictures are not posted because it was light weight sketch paper and is now ruffly from the water. I wish I knew of a hard bound sketch book with heavier paper that could stand a bit of water. Not quite 140lb paper, but something heavier than in the "Reflections" books I have. They are good for sketching and drawing, as long as you don't get too much ink on the page or it will soak through. Yes, it's that light. Pentel and Tombow seem to do alright, and the Rapidograph. But I have to be careful with fountain pens, anything that can let a lot of ink flow.

Can anyone suggest one? I prefer hard bound, but that may have to change.

Exploring Facebook

Here is a little still life set up on a table. Next I would like to experiment with specific lighting.             


This weekend I've been seeing what I can do on Facebook. Mostly it seems to just lie there. However this weekend a lot of people turned up that I had lost track of, but now there is contact!

It sure takes a lot of time, but it was good to be in touch. Maybe it can stay that way.


Is anyone else having problems with Blogger today? I've lost the bar along the top where you can get to the Dashboard or search for other blogs, etc. To log in I had to go a really round about route, it was looking like I wasn't going to be able to ever post again. And the followers widget disappeared.

The plein air season has begun!

Last Saturday was my first genuine Plein Air Paintout. Courtesy of the East Bay Regional Parks, we were at Coyote Hills. What a lovely group, so many excellent painters. Mine looked like it was done by a school kid. It helped me learn a lot. Above is the view from where I was painting.

Here is about 9AM (We started at 8AM, well most of us) The light was changing gradually, but the water changed constantly, and always looked better than before. Have to pick a version a go with it!

In avoiding a decision, more reeds went in as well as the tower from Cal State Hayward way, way in the back. Starting to put in some shadows now in the water. Need to mix a deeper green, nothing comes out dark enough. It's all coming out medium to light values. BLAH!      

Getting toward noon, time for judging. Working on the water and reflections. Time to buy some really dark green oil paint. There is some veridian at home, but I seldom use it, may be with some white mixed in it will work for the sage on the left! Still mostly medium values, somewhat accurate, but not interesting. The park ranger kept coming by, he loved it. We can always use supportive fans!
  

This may look odd, but the top one is the plein air, with a little more work on it this week, including bug and leaf removal, it got windy. After looking at all the great stuff the real pro's did I was inspired to give some techniques a shot. The bottom one was done about half with the palette knife. It was the only way I could think of to loosen up, get more vivid, and not get so buried in the detail. I wanted to put a big tree on the right in the foreground, but I didn't have the nerve. I did put in the Canadian goose that was hanging around. There was also a bumble bee that visited me a few times that morning! I hadn't seen one since I lived in England! what a treat!

This is for a friend. She wants something pink for the bedroom, and watercolor takes constant practice, so I thought I'd try this for her. Sort of a semi-permanent lend. It needs a little more deep pink in the center and something more interesting done with the negative space in the upper left. Watercolor is very calming...when it isn't totally exasperating!

Current acrylic on the ole easel, a still life I set up in the studio. The blue bottle turned into a blue jar. The golden yellow table cloth under the white scarf had to go. Thanks to this photo, I noticed a perspective problem with the green jug. That fruit could use a little tuck here and there too. On the whole though, I think I will like it. The strange brown blotch by the grapes is a grape leaf, OK?

Today was a plein air session at Stowe Lake in Golden Gate Park with the California Art Club. Sorry I missed it, I just didn't have the gas to get there. Next time!