Two New Gallery Shows

Zoe

Bounty Basket

 These are pictures I've posted before but, although I didn't take very good photos of them (sorry, working on that), they are the ones in two shows in which I am participating at two local galleries: Green Shutters and Sun Gallery in Hayward, CA. Zoe (8X10) and Bounty Basket (12X16) are oils. The

Salmon Lily

Persimmon and Lac

 others are all acrylic. The lily is 9X12 and the Persimmon is 11X14, the others are 8X10. Here are the apologies: the squash picture as seen here is unfinished, I've fixed the shadow, really I have! And, the apple here is the watercolor version.

Autumn Squash

Autumn Apple

I just discovered I haven't photographed the acrylic version. Bummer. It has a warm brown background, less wishy-washy, definitely more contrast, lighter on the left and deeper on the right.
All these pictures finally got frames and the hanging hardware on them. Just in time to go into two new shows. It's been months, well, last year was the last time I entered a show. I've been try to build up a body of work so there is something to go when there is an opportunity. And the fact that much time is spent painting because I can't stop.
After all the prep work and delivering pictures and paperwork, today I have to do the mundane things. It's cloudy(foggy) so the yardwork gets done first.
Then I've got this great idea for a still life of some of my Indian pots and maybe a textile! Hmmm, let's see, if I drape it this way and the terracotta one from Grandma sits here, and the bowl... OOOPs, I have to prune the roses, no getting out of it.

American Persimmon and lace, 11X14 acrylic

Looks like  there is some "flash" on this from the camera. These acrylics can be a bit shiny. This is one of the Paint and Draw Together challenges of which I am so fond. This is one is 11X14 so it wouldn't fit on the scanner, but I don't think I could have avoided the flash that way either. Anyway, I am trying to work on a little bigger format because I'd been concentrating on miniatures for so long it was certainly not helping me loosen up. Of course I WOULD pick LACE on which to loosen up. That could have been counter productive, hmm?

When to go vivid (and all that entails) and when to be subtle?

In a painting group one of the other artists had set up this grouping to work on an impressionist piece. I just loved the items, their textures, warm and subtle colors. I asked his permission to take a couple of pictures so I could try it, and it was given.

This is my 8X10 acrylic result. The other artist did some amazing things with brighter colors, more impressionist shapes, and in oils. It was fascinating to see how differently things can be seen.

Next it would be good to explore a somewhat wilder version, more like an art instructor would like. For some reason it's good for me to try realistic first, to get familiar with the shapes, colors and textures, "internalize" them maybe? Whatever, it gets my hands familiar with the shapes, my eyes familiar with the colors etc. Then it seems easier to loosen up and try an impressionist version. Or, then again, maybe I need to fuss over the realistic version until I'm satisfied, or fed up, then my imagination starts really kicking in to liven things up! This second version will be with oils, easier to keep playing with it more.

Here is another project of a completely different kind. This is the unfinished version. It's further along now, the holes have been filled in. Have I said all this before?
Anyway, this is a result of working with the Great Dickens Christmas Fair in San Francisco last December. I went in 1830's dress (women of a certain age are free to wear styles from their youth). During that period the huge mutton leg sleeve was very popular (see the original Dr Doolittle opening scenes with the Dr's sister) and a special cape collar called a pelerine was also very popular. They were often of very fine stuff like lawn or batiste with embroidery, or fine lace. I had made one of some machine made lace that looks really good, but I'd always wanted to try to make a lace one from scratch, since they have a very distinctive shape. I had a bit of a search to come up with a motif that I could adapt to the shape, but the biggest thing turned out to be finding the thread! Who knew how much it would take! I'm using a fine thread (#30) in white, but there are a lot a whites out there. It took the better part of a month to find more of the exact same white. And YES, you can tell if it's not the same white. At last I was able to obtain enough to finish. On the pattern, I'm winging it so right now I'm in the hard part of the decision process, the final shaping and finishing details.
Gotta go, I'm off to my painting group now!